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ST MARYS CHURCH
(the present building)
By 1870 the original church had
become incapable of accommodating the increasing congregation
as well as being dilapidated and insecure. A new and larger
building was needed.
The Church Chronicle of 15th November 1887 describes the
acquisition of the present site: “For the splendid
site on which St Mary’s is built, we are indebted
to the former incumbent, the Rev R Moffatt. The piece of
land originally granted by the Crown for Church of England
purposes on Kangaroo Point was that on which Mr. Barker’s
house now stands and extended from Main St. to the river
– a most unsuitable and in fact utterly useless piece
for the object for which the grant was made. Accordingly,
Mr. Moffatt who was then Parliamentary librarian as well
as incumbent at St Marys, made good use of the influence
which his position gave him among those in authority and
succeeded in effecting an exchange of one half of the original
Crown grant for the magnificent site on which there stands
now our Church and Sunday School and where it is hoped a
Parsonage will soon be seen”.
Rector Rev David Court in 1870 persuaded the Parish to
embark on the task of building a new permanent Church on
this recently acquired site. Architect Mr. Richard Suter
was engaged for design and construction, which was partly
funded by sale in 1872 of the other portion of land granted
by the Crown.
The design adopted for St Marys reflects the familiar church
design practices in the country of origin of most of the
essentially immigrant and first generation descendant community.
As such, this colonial design practice evokes traditional
small rural village church construction practice from English
farming communities.
An initial contract was let to Alfred Grant builder, for
construction of the nave as far as the current porch, and
this was later extended to include the chancel after a construction
interruption, while the parish resources struggled with
the significant financial burden the new building represented.
This photo shows the church as completed in 1873 with the
stumps of recently felled trees in the foreground. The plan
form was a simple open rectangle with a semi-circular apse
area. The current “temporary” vestry was attached
adjacent to the apse.. External stone walling has provision
for construction of a permanent vestry to the left of the
entrance porch above, where toothed (keyed) stone bonding
points have been included.
The Marquis of Normanby, Governor of the colony ofQueensland,
laid the foundation stone on 29th April 1872, and the first
Bishop of Brisbane, Bishop Edward Tufnell, who had strongly
encouraged the Parish in its pursuing its goal of a new
church, consecrated the completed building on 5th November
1873.
This photo shows the church as completed in 1873 with the
stumps of recently felled trees in the foreground.
Materials used were those traditionally found in churches
of such origin. The main structure is formed of roughly
dressed ,coursed random rubble stone, mostly a Brisbane
“tuff” material. The walls carry a traditional
timber truss roof frame, steeply pitched, with stone buttresses
on the external walls to support the roof loadings. The
diagonally planked timber ceiling lining provides essential
bracing to the roof structure, as well as a subtle visual
contribution to the traditional atmosphere evoked by the
heavy timber trusses. The original roof was of ironbark
shingles, replaced by galvanized iron around 1921.
Dressed softwood timber flooring continues the straightforward
nature of construction, and timber plank pews complement
the delightful simplicity of the traditional design adopted.
Some of the pews still carry evidence of youthful “doodling”
over the years, reflecting the proximity of a school on
adjacent land.
Some nine years after completion, the church was severely
damaged by a cyclone in April 1892, which demolished the
upper portion of the western end wall and belfry, and half
the nave roof. During a year of reconstruction, supported
by both the parish and the wider community, the church was
enlarged by addition of a two bay transcept, the roof repaired,
a different belfry built, and a subtle increase in floor
to ceiling height in the nave was accomplished. It is this
form the building remains today. It was rededicated in 1893.

Internal aspects
-The Apse and the Rivers paintings
The Church Chronicle of April 1893 mentions the decoration
of the Apse of the Church by Mr. Godfrey Rivers (brother
of Archdeacon Rivers, Rector of St Andrews, South Brisbane)
and Mr. GHM Addison, a prominent architect of early Brisbane
buildings. Godfrey Rivers was a well-known artist at that
time who had exhibited at the Royal Academy, coming to Brisbane
from England in 1890. He became President of the local Art
Society and several of his works are on display at the Queensland
Art Gallery.
The central stained glass windows in the apse, the Crucifixion,
was given by Bishop Tufnell, while the Nativity and the
Resurrection glass windows commemorate close relatives of
a parishioner and the incumbent Rector.
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